I was in London when the Strokes' second album dropped. I bought it. (Two U.K.-versions, sweet!) Well, not so sweet. But that one song that sounds like the soundtrack to a prom, Under Control, well. That one's pretty much the best song they did. OK. (Side note [one that I think I've made before--but goddamn it's important]: This Ryan Dombal from Pfork wrote a track review of some stupid shit the Strokes did recently and he and I agree, the Strokes are better at these slow, dancy soul-ish songs.)
I was in Santa Fe when the Strokes' last album leaked to the Internets. I got it and I deleted it in the same sitting. Fuck the Strokes, fuck David Cross, fuck expensive music videos--fuck Juicebox.
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1) They don't tell stories anymore (c.f., New York City Cops, Soma, Modern Age, Barely Legal [basically all of Is This It].)
2) They don't sound lo-fi anymore. Not that they ever sounded like Bob Pollard, but the albums get more and more clearer and less and less awesome-sounding.
But I still think they were the most important band of the aughts.